Hour 4

it is an institution that has outlived our purposes

possibly

but we are dreamers, are we not?

perhaps, though, we are ready to give up on the illusion

that there is more than a middlin’ chance of survival,

of true love, of a forever love, of a lifetime commitment

and of monogamy in general

but have we given up on the entire notion

of growing old together?

Hour 3

I wonder why we have such trouble letting Venice sink or abandoning New Orleans in the wake of Katrina with all the toxins embedded in the buildings and soil. We cannot right the axis of the earth, stop the ice caps from melting, clean the plastic from the waters or lower the temperatures.The time is now to fix ourselves. We can imagine a new existence if we work together. Let the land sink. Save the people.

Hour 2

 

banished for burning

creator of the islands

mischievous goddess

 

has Pele flowed on lava

to play with fire in Maui

 

Hour 1 (after Diana Khoi Nguyen)

We made an undulating landscape on the floor after the hard week

our bedraggled bodies propped on sofa pillows

plates of barely recognized food stuff in varying degrees of consumption

two roaming dogs attempting to lick plates clean

Around us sharp angles of squares and rectangles

mottled with yellowed photographs and meticulously crafted text blocks

that elicited occasional yelps and countless sighs

until our heads drooped but we would not arise

This is how she found us/ the past draped about us like a cloak”

about me

A smiling woman with blue glasses and shoulder-length brown curly hair wearing a black top against a pink light display blue glasses

Hello, fellow poets. I am so happy to be here again. I am a veteran marathoner; I believe this is my 8th year or so and look forward to this all year. I teach leadership at the university and work full-time as a volunteer recruiter for the American Red Cross. I live between the Ozark and Ouachita Mountains in western Arkansas. May we all have a fruitful journey, dexta

Subbing in America through Haiku: Hour 22

Performing in front of parents is a collective moment of shared humiliation. The umbilical cord connecting them to their parents weakens a little under the harsh stage lights that bleach their eye sockets and inextricably and tightly binds them into a group.

dangling astronauts

grasping for the escape hatch

just to stay afloat