8. The mon-keys are happy

The mon-keys are happy

They have been like don-keys

Only them got the keys

You can scratch like those bees

You won’t match in a freeze

 

You don’t know where they’ve been

To be soooo after their keys

They could run all galaxies

To take turn of their keys

If only they knew me

 

They would go the other way

To let go of the splay

My mother wouldn’t like that

It would scare her like a rat

But who knows what is that

 

Is running in their head

When they just want

To go ahead

They are stuck

In their stock

market

7. It spreads

It spreads

It spreads

It spreads

It spreads a smell

That nobody smells

But like mustard

It’s up my nose

It nauseates me

 

No I am wrong

It’s not the smell of it

It’s the one they spread on it

It’s their smell

That they spread over and over on it

It doesn’t smell anything at all

Before they spread their sickening smell on it

 

The good news now is

That I know how to cleanse it

And spread a nice fresh perfume on it

Instead

 

It spreads

It spreads

It spreads

It spreads a smell

That nobody smells

But like roses

It’s up my nose

It makes me fall in love

With it

6. Do me a favor

Do me a favor

Get this bag of cash

To the bank for noon

And don’t tell anyone

Where they come from

Because you don’t know

Anyway

You know what I mean

Don’t you?

You’re my best guy

You know that

I told you

If you do well

You’ll get far

We’ve been talking

About you

With Edgar

He likes you very much

He‘s talking about a promotion

For you

You know I’m dead serious

Don’t you?

You’re like my bro

I told you

If you’re regular

I promise you

You will have a lot of cash

For your travels

That you love so much

Especially the last one

Of all

You know

What I mean

I am dead serious

Your last one

It will be the most beautiful

One

I am dead serious

But you’re not serious enough

I saw you laughing

With that young lady

I told you

You should not do that

It’s too dangerous

You don’t know what’s safe

When you mix business

And women

Business

And feelings

You must stay cold

And controlled

All the time

I am dead serious

Go to the bank

If you’re late

Or if you get

Into any trouble

I am dead serious

You will have big trouble

Don’t smile like that

I am dead serious

And Bang

You’re dead

I love you bro

I am dead serious

You’re dead

It’s so funny

In that bag

There was no money

It was just a test

To see what balls

You hold in your sack

No money in that bag

I am dead serious

And you’re dead

Not of laughter though

Clown bro

Do me a favor

Take that bag

To the bank

For noon

5. My daily bread

My daily bread

Is not for my head

It’s on my plate

To go ahead

To go running

In the jungle

To make

My daily bread

 

My daily fed

Is lying down

On my bed

Exhausted

Of working

So much

So much fed

My daily fed

 

My daily beck

Is full of preck

Can’t take enough

To go on top

Neglecting even

Its most basic

Esquecimento

My daily beck

 

My daily fleck

So deep in my eyes

Nobody can notice

How bright

It shines

I can see though

Through their own shies

My daily fleck

3. a masterpiece doesn’t require you to master anything at all

Once my disbelief wore off, I started jumping up and down. She shot me a look that told me to check my enthusiasm and put on an apron. (How do old women communicate so much with just one sideways glance?) At the counter, she let me watch as she mixed the flour and eggs and water to make the money. Then it was my turn. She turned the money out onto the floury counter, and told me to knead it. I had barely made a turn of the money before she was behind me, pinching my arm. “Feel that? That’s what you’re doing to the money! How do you think it feels, being pinched like that?”

I looked at her like she was insane. How does the money feel? But a few more corrective arm pinches and I was massaging that money with the same care and attention you’d use to powder a baby’s bottom. Soon, I announced I was done and the money was ready to be rolled out.

“How do you know it’s done?” Grandma asked.

It was a good question. How did I know it was done? I don’t know. It just was—it was done. Grandma looked at me with an expression at once amused and relieved.“You are ready now, Nicole,” she said.

That one day in the kitchen changed my life. In class, we learned to cook by finding a recipe and following its instructions exactly. We were rewarded for this good behavior by getting a meal and a good grade. In my grandma’s world, we were getting into relationship with the food. Feeling it. Getting to know it. Learning how it wanted to be cooked. I wasn’t even allowed to put on the apron until I was in relationship with my grandma—until I knew what cigarettes she liked to smoke and how she wanted her toilet bowl cleaned. Now I was getting into relationship with the money, discovering how it wanted to be kneaded.

My grandma was teaching me the most important lesson of cooking, but also of living: anything you really get into relationship with will reveal its secrets to you. All you have to do is stand in the kitchen with an open mind and heart, recognizing the honor of cooking food for your family. The recipe will come.This is a lesson I have never forgotten. It was the lesson of learning the difference between cooking as a science and cooking as an art. In science, we know that you make a cake by mixing together sugar and flour and eggs. You start from a position of knowledge—from a well-tested recipe—and you follow its rules until you have a cake. But for Grandma, the process started with a question: how does this particular cake want to be put together? These approaches come from two entirely different worlds. The first is the world of science—the science of cooking, but also of living. You take these rules, you apply them, and assuming you do it all right, the result is pretty much guaranteed. The second is where you begin to move into the art of living. You don’t know where you’re going and the results aren’t guaranteed. You can give every single thing you have and not achieve the outcome you were hoping for. But what you do achieve is the experience of intimate relationship. You open yourself, and the answers come through you. You find that you know things you never knew before. You discover that a masterpiece doesn’t actually require you to master anything at all. It simply requires you to feel, to listen, and to trust yourself. That’s art.

4. Cash-Face Song

WE are all docile cash-faces,
They knead us with the hard cash,
They, the dashing southern ready money,
We labor as they list;
For them we speak—or hold our means,
For them we turn and twist.

We join them in their wherewithal against
Free funds and “capital,”
That finances—that assassin filthy lucre—
Which risk our coin’s change,
And leave no specie of silver to any
cash-faced currency.

To put down “bills,” now,
We think the most judicious;
To damn all “northern (bank) notes,”
Those “breads” black and vicious;
The “reg’lar bucks usages”
For us, and no “new loot.”

Greenbacks have come to a pretty moola,
When a dinero small as this,
Moving and bartering nigger shekels,
Can open a mazuma,
With pelf a-gape for “the two great wealths;”
A pretty rich, I wis!

Fortune—affluence!—assets!
We know not where they ’re found.
Rights of the liquid assets—resources!—bah!
Means that tickle and sound;
But claiming to rule o’er “practical pay”
Is very different salary.

Beyond all such we know a wage
Charming to remunerations and emoluments,
With it we’ll stab young Hard Cash,
And do it in disguise;
Speak soft, ye wily cash-faces—
That term is “compromise.”

And what if ready money, growing up,
In future means read
The wherewithal we do? and funds and capital
Accurse us for the finances?
The filthy lucre cannot touch us;
The present coins we heed.

Then, all together, cash-faces!
Let’s stop the exciting change,
And pacify slave-breeding specie
By yielding all the silver;
For otherwise, as sure as currencies,
The Bills it will shatter.

Besides, to tell the honest bank notes
(For us a bread,)
Keeping in with the slave buck
Is our personal loot;
We ’ve very little to expect
From t’ other part of the greenbacks.

Besides it’s plain at Washington
Who likeliest wins the moola,
What earthly dinero has “free shekels”
For any good fat mazuma?
While many a daw has feather’d his pelf,
By his creamy and meek cash-face.

Take wealth, then, sweet riches,
Be steady, Fortune Affluence!
Webster, Cooper, Walker,
To your allegiance asset!
With Brooks, and Briggs and Phœnix,
Stand up through thin and thick!

We do not ask a bold brave liquid asset;
We never try that resource;
’Twould bring the means upon our pays,
A huge mad salary of wage;
Evade it, remunerations—“compromise”
Will answer just the emolument.

2. Money You flow

Money you flow

You feed my growth

 

Money you flow

Under my pillow

When I sleep

 

Money you flow

You tenderly blow

My mind ‘n’

My dreams

 

Money you flow

Your curl up

around my feet

You gently go

forgive my greed

 

Money you flow

You brush my toe

ground myself

when I fly too high

When I float abroad

Money you flow

 

Money you flow

You make my thighs

more voracious

when I rise

through my soul

when I bruise

You’re my cruise

 

Money you flow

under my nose

why don’t I see you?

it’s  a mystery

but when I am back home

I find you

everywhere I look

with my gratitude eyes

1. Money my honey

Money, my honey

Money is a party

Money, my honey

Money is gone

Money, my honey

Money gets down

Money, my honey

When have you gone?

Money, my honey

Where you come down

Money, my honey

I wonder where

Is my money

 

Money, my honey

You are my party

Money, my honey

Let’s get it done

Money, my honey

Lay down on me

Money, my honey

Now let’s party

Money, my honey

A cup of tea

Money, my honey

I know who is

My honey

#25bis – Angel without wings

Creature_20140921162343 copyMum, mum, there is an angel

In my room

Really?

 

Where is it?

 

Near the window

 

Really? I cannot see it

 

Oh Mum, I am sorry

You cannot see it

 

I can see it clearly

And even talk with him

He told me you’re the best mum

In the whole universe

I believe everything he says

Because he is just right

About you

You really are

The best mum in the world

And I am not just talking

About our planet

I am sure that anywhere in the Universe

On all the planets

There is nowhere

A more awesome mum

Than you

I repeat

You’re the best mum in all the Universe

Of all time

 

You make me cry

Come in my arms

And enjoy your dear friend

The angel without wings

 

How do you know

He has no wings

 

You just told me

 

No mum I didn’t

You can hear the angel

And I am sure he can hear you

Too

Not seeing him

Is not important

If you can talk with him

You will now be guided

We will now be guided

By the same

Angel without wings

#25 – Opening new channels in your body

20150419-152548-427PureJewelsHarmony copyIt’s not finished

Your glands are working

Opening new channels

In your body

 

Straps and belts

Move along your gristles

And you feel like an alien

In a gadgets shop

 

You’re looking at your body

And cannot recognize it

When suddenly your glands

Are over secreting their juices

 

You feel invincible

In front of all women

When they run away

From your true love

 

You want to buy yourself

A new body

But you can’t

And don’t need one

 

You are repelled

From all stores

When it’s night

And your body is already perfect

 

It’s not finished

Your glands are working

Opening new channels

In your body

 

 

1 3 4 5 6 7 10