It’s five in the morning, I should be alone,
the only one up in this house,
as I finish what I started twenty-four hours ago,
this poetry marathon, a sleepless creative
hell of my own making, only because I have
to work in two hours and then fry myself on
a soccer field after that, ah but sleep.
She’s just around the turned corner of the morning.
But who do I hear creaking the floorboards above me?
It’s she who sometimes doesn’t sleep at night.
The insomnia came after the concussion, that kick
in the head just over one year ago.
I saw her asleep at eight, while I was on poem fourteen.
I’m not surprised to hear her stomp, stomp, pull open
a drawer, stomp, stomp, and plop into her squeaky bed.
I had forgotten how quiet the night was in my room
when she was away at college up north playing soccer.
But at this hour, this sacred sleep hour when no one
arises or goes to bed, I lay in my bed, IPad propped on
my naked belly, the screen’s light, casting a shadow on
the ceiling while the fan blows white noise about me,
and struggle through the last “poem” of this marathon,
the final, number twenty-four, for which I am thankful.
I love this. “The turned corner of the morning” is absolutely exquisite. You create such a solitary sense of self and then move out – in quiet consideration – of your insomniac daughter upstairs. The stillness and perception of every sound – with the thoughts they raise in you – is truly powerful.