Commanding the room
The largest lead weight
On the rubber sheet
Of social intrigue
Little ball-bearings
Scattered in patterns
Move at a distance
But never too far
Prompt: Concrete imagery
Form: Unrhymed quatrains
24 Poems ~ 24 Hours
Kell Willsen is a fantasy author, and occasional poet, who believes that good art is a blend of form and content. One day, Kell hopes to make good art. Until then, you get this.
Commanding the room
The largest lead weight
On the rubber sheet
Of social intrigue
Little ball-bearings
Scattered in patterns
Move at a distance
But never too far
Prompt: Concrete imagery
Form: Unrhymed quatrains
The fields of sunlight-green go on forever,
The ancient arch reveals the rural scene
Containing countless shades of blue and green
Each leaf and blade of grass defined but never
Destroying harmony with one another
But delicately balancing between
Variety and unity of mien
A perfect patch of land, in perfect weather
Observing from the shadows, I remain
Detached and distant, in the cool, grey stone
As only those who stand without can claim,
Touched by the sight, held back from being home
In such a peaceful idyll, sad refrain:
Suspended on the threshold, standing alone.
Prompt:
Form: Italian sonnet
With rolling gait to last throughout the day
On cobblestones trod many times before
The copper’s beat, that old familiar way
On night patrol, in company with Law
The titles to my name are so much sham
For making idiots react with awe
My mirror shows me still the same old Sam
On night patrol, in company with Law
The terrier, I always find my mark
With Sybil as my anchor, I’m secure
The truth cannot stay shrouded in the dark,
On night patrol, in company with Law
Prompt: A persona poem
Form: Kyrielle
You can’t say sci-fi
If you want us to take you
Seriously
Don’t use time travel
Post-modern SF holds it
Unrealistic
Any fool can write,
But science fiction is a
Highly refined art
Prompt: Genre poetry
Form: Linked haikus
Compliments hang, speared
On subtly barbed comments,
Disguising deadly intent.
Weave between the lines,
Better to be a cold fish
Than a terrible warning
Prompt: Fishing
Form: Sedoka
Fall asleep.
Blink.
Good morning.
Begin the day.
Blink.
Good evening.
A child is born.
Blink.
University.
Chase after hours.
Blink.
Memories are fading.
Go back to reclaim them.
Blink.
Catch the soft moonlight.
My children’s children.
Blink.
Grown and leaving.
Fight the darkness.
Blink.
Fall asleep.
Prompt: Incorporate three of five suggested phrases.
Form: Invented. I’ll think of a name for it tomorrow.
In such a narrow margin, close confined,
Between the crushing depths and empty space.
This thin, sustaining band where life can grow.
How perilous existence is for fish.
PROMPT: Set underwater.
FORM: Unrhymed blank verse.
Last month, I attended a poetry workshop. After most of the others there had shared their work, and had constructive feedback, I shared mine. I got told that I demonstrated “good use of language”, but that my offering was “not poetry”. The instructor didn’t explain what I was doing wrong, just that I was, definitively, wrong.
That hurt, far more than it should. Some people are jerks, and I know that. But it really hurt to have my work shot down with no explanation. When I saw this challenge, I knew that I had the perfect way to put that hurt behind me, and get back to writing.
So here is my warm-up piece, a kidney punch to the ogre of insecurity. Warning: naked sarcasm ahead.
The English is good, and the grammar correct,
But this is not poem.
The rhythm is fine, and the stresses line up,
But this is not a poem.
The metaphor struggles on atrophied limbs,
The rhyming is weak, and the words just don’t sing,
And it’s not the way I would have written the thing;
No, this is not a poem.