I’m Red

The Farm

Country life

Red barn

Green grass

Sunflowers saturated

A little girl amazed

Imagination created

Desired to live here

From boring big city

Grandparents stories

Memories alive

Blueberry bushes

Radiant raspberries

Sweet to the tongue and belly

Piggytails, ponies and honemade pies

Vacations only a short time

Then our goodbye’s

Poem 5: 718 3rd St. North

Shame lived there.
Uneven, crumbly walls painted industrial white,
rusted metal shrieking when we flushed.
I used to glide on second-hand roller skates
down uncarpeted floor
that dipped and rolled
through dingy rooms.

And the cardboard refrigerator box
I called my castle.
I propped it up against cold walls, cut out a door,
and took countless meals and naps,
a short-haired Rapunzel
languishing in the dark.

Wrong side of town,
wrong side of the tracks,
wrong side of the
socioeconomic hierarchy.
I never invited anyone home.

I walked two miles to school every morning
and into the warmth of proud teacherly smiles.
My bright purple, fake fur coat
lay in mattes against my too-short polyester pants.
At recess, children trilled and grinned
through metal teeth.
I stayed inside as often as teachers let me.

Home, where the absence of my sisters rang,
where hostile faces leered through dirty windows,
where meals came in boxes from the church,
where the occasional gift from Grandma
turned us into tragic princesses.

My sisters came back.
My toenail fell off.
I bounced like a monkey
on the pogo stick my cousin lent me
and ate the Generic Sugar Snaps
that loomed in echoing cupboards.

Shame lived there,
and for two long years,
so did I.

Poem 5-High School

Location

Location

Location

It was a crime

It was

The way those people

That place

Hung in the air like a stinky sock

That school

Those uppity teenagers

With sex on their brain

And disturbance in their heart

They ate kids like me for lunch

Nerdy kids, smart kids, big boobed girls

and wimpy boys

As bells rang and lockers slammed

self esteem was shattered

harsh words hung in the air

Perfectly timed pushes

A trip out of nowhere

Sending someone sprawling

 

Peyton Place and Days of our Lives

Who dated who

And who never got dated

Someone makes the team

Someone else has to fail

Overt commentary

About the political futures of us all

 

Location Location Location

School hallway

Where cafeteria smells

were not culinary

And growing up was

shame and attitude

Lower class beings

Smashed under the shoe

Of a social structure

Embedded in small children

Who grow up to be horrible adults

And misfits

Never make the grade

 

5th post, 4th prompt

Knowest thou what ill there is?

 

Ismene, sister, mine own dear sister, knowest thou what ill there is, of all bequeathed by Oedipus, that Zeus fulfils not for us twain while we live? Nothing painful is there, nothing fraught with ruin, no shame, no dishonour, that I have not seen in thy woes and mine.

 

Antigone works to wake her sister:

It’s bad, honey. We’ve been done wrong.

Knowest thou what ill there is?

Clouds lowering from a sky not theirs.

 

The sister glowering: she wants (she needs)

a date with her boyfriend

who doesn’t like it when she’s late.

Knowest thou what ill? Only half kidding.

 

Because sis is no dumbo. Antigone has

a point, like any obsessed sermonizer.

Yes, ill’s gone down again (again!).

But knowest thou how ill A’s ranting is?

 

It razors through the sky no longer theirs,

a long broad arc from a father’s crime.

Who wants to track it to the well? Knowest thou

what ill there is? Your ill, she means. Wake up.

Hour 3

Umbrellas 

We came early

to get a spot

We thought surely

there’d be a lot.

 

Yellow umbrellas

line the beach

good looking ‘fellas

hiding under each.

 

Scorching sand

from the high heat

impossible to withstand

without a shaded seat.

 

Making the trek

through the ‘fellas

just to double check

no empty umbrellas.

 

Admiring the sea view

disappointment unsaid.

Our eyes see blue

umbrellas ahead!

 

Searching through

there’s plenty of room.

We claim just two.

This day lost it’s gloom.

 

Your Perfect Girlfriend

Put up,
shut up,
serve up,
get over,
put out.
Not me!
See thru,
give out,
give up,
push thru,
get out.
Screw you.

by Amanda Valerie Judd

Summer Girls

8/5/17 10:22am
Summer Girls

We slip off into the night to slip out of our clothes,
remove our skins for the neighborhood eyes
flying through the park, her pale moon thighs,
a blur of elbows and ankles,
lip gloss and bangles, rolling in the grass.
And he was her first but would be my eighth,
filling me in the dark with his broken collarbone
his lilting lyrics and poised promises.
Her mom would sleep til the sun rose.
Then he slows and I realize
I lost my earring, my favorite earring,
huge-like-a-chandelier-Edie-Sedgwick-earring.
I comfort myself in that all possessions are temporary and then
he finds it wedged in the green and places it in my hand,
my sweaty shaking hand.

I laugh at the thought of keeping something that I’ve already let go of
Just like you.
And just like you,
I fling it from me, silver streaking through the trees
my knees are blade-stained and bare.
I left it there
just like I left you
tearing through the night like sisters, like a Tori Amos song.
All along you were the light that lead me back home
and now we’ve grown into proper women.
Still a blur of elbows and ankles, still filled with lyrics and promises.

The Ivory Tower

I enjoyed my English classes at high school, but found the lure of the music rooms, all of which had pianos begging to be played, too great. I went from being ‘a delight to teach’ in my first year of A-levels (age 17) to ‘despite considerable absences’ in the second year — most of the time I was playing the piano. Happy to report that I got an A in my English lang/lit exams, and failed my grade 8 piano, go figure! ;)

The Ivory Tower

I was in love
with a man
who tinkled his last ivory
in eighteen forty nine.

Waltzing through the afternoon,
mazurkaing in the morning
defeated by the G minor Ballad
swooning to every nocturne.

Duetting in Hedges' Hornpipe Rondo
rampant in Beethoven's Pathétique,
the C minor opening salvo,
flirting with the delicate flows.

Knocking out a Mozart Fantasy,
cavorting with Camilieri's Folkloristica,
rescuing Princess Natalie,
who demanded I teach her to play.