Simply Nobody

I’m a speck on the floor trampled by almost all. I’m a ding in a car door waiting to be buffed out. I’m nobody, nothing viable, no value, no meaning. Just a modern day slave and flunky. Just a means to an end for some who claim to love me. A wisp caught in a vortex of wind going round and round no one knows I’m there. Left here in this one place while others sped away to live their lives leaving mine in vain.

just no one, nobody to some who claim to love me. A pebble laying under a pile of rock on an abandoned shore. A scorned and almost lifeless form kicked on the head and dropped when I was born. Left here in this place to suffer while others sped away. Left me in limbo to rot in hell but But God is watching I pray to him.

I’m nobody plain and simply no one. Left here to die unhappy. But I pray, pray, pray to the Lord and HE shall set me free. I’m someone to HIM. I know God loves me. HE will lift me up and guide me to happiness. Someday I’ll walk, not speed away. And the difference will be respect for I’ll never neglect those who claim to love me as they have done to me. For although to them I’m simply nobody but I know that I am love.

I’m Chinese!

You’re Chinese!
You’re Chinese!
You’re Chinese!

The words stung
Even though
They were true

I’m Chinese
I cried to
My mother

She said yes
You are and
That boy’s not

I ran back
Boasted I’m
Chinese, you’re not

The boy cried
And ran to
His mother

My heart swelled
I went home
I’m Chinese!

Prompt for Hour Three

Text Prompt:

This prompt called Twenty Little Poetry Projects and was suggested by Lexanne Leonard, but was created by Jim Simmerman and is called Twenty Little Poetry Projects and was originally published in The Practice of Poetry. If you don’t think you can complete it in the hour feel free to stop at the half way point.

“Give each project at least one line. You should open the poem with the first project, and close it with the last, but otherwise use the projects in whatever order you like. Do all twenty. Let different ones be in different voices. Don’t take things too seriously.
1. Begin the poem with a metaphor.
2. Say something specific but utterly preposterous.
3. Use at least one image for each of the five senses, either in succession or scattered randomly throughout the poem.
4. Use one example of synaesthesia (mixing the senses).
5. Use the proper name of a person and the proper name of a place.
6. Contradict something you said earlier in the poem.
7. Change direction or digress from the last thing you said.
8. Use a word (slang?) you’ve never seen in a poem.
9. Use a piece of false cause-and-effect logic.
10. Use a piece of “talk” you’ve actually heard (preferably in dialect and/or which you don’t understand).
11. Create a metaphor using the following construction: “The (adjective) (concrete noun) of (abstract noun)…”
12. Use an image in such a way as to reverse its usual associative qualities.
13. Make the persona or character in the poem do something he/she could not do in “real life.”
14. Refer to yourself by nickname and in the third person.
15. Write in the future tense, such that part of the poem seems to be a prediction.
16. Modify a noun with an unlikely adjective.
17. Make a declarative assertion that sounds convincing but finally makes no sense.
18. Use a phrase from a language other than English.
19. Make a nonhuman object say or do something human (personification).
20. Close the poem with a vivid image that makes no statement but that “echoes” an image from earlier in the poem.”

Image Prompt:

By Frank Ching

His Whisper

“This way, beautiful,” he whispered, not there.
Hands imagined intertwined
as pines mist our morning air.

Glories still asleep lead a pleasant dream
into cosmic light – a fire hiding
beyond our sphere unseen.

Kisses! Oh, kisses as we laugh and play
in busy days imagined.
I wish, in my naivete.

SIGNS OF THE TIMES (hour ii)

I grew up feasting
my eyes on the hypocrites
Their speeches heightened

And they grew grey hairs
feeding from the swamp, stomach
wars and woes, shame void

The swamp had been a
haven where harvests of deceit
heaped up for years long

The hypocritic
rises out of the shamed swamp
their feet sank deeper

I am growing still
witnessing how time migrates
against them, with cuffs

*Inspired by the text prompt

hour two

T          h        e       r       e

 is              no               way.

  I       can     get    back   there.

   I      am      not     a      shadow.

   I    cannot   cast  myself    so thin.

        A           veil          of          darkness.

     I         am           more       than     that.

      A               whole                    silhouette.

          A                      solid                            form.

             Bones  and  blood   with  a  positive    charge.

         Your    white  walls  cannot   contain   all  of me.

          A     figure   of       darkness        before         me.

         Always  on one foot.      Unsure if you want to stay.

            What     dues    have      you     paid    to   see    me?

               What               do                   I               owe          you?

            You   are   not    the     sun.      I    am     not     the    moon.

             I hang  here  empty-handed.    You think you came prepared.

               There  is  no chance  of rain.     Nothing more to see from where

                   you   are.      Go   on.         Find   a    way.        Meet    me at the top.

Woes of my country people

We are no longer flying
the flag of our country, we are picking
bodies, dead bodies of innocent
brothers and sisters; protesters.

The land that grew us is now thirsty,
it’s drinking our blood- those who died
of malaria: 100
those who died of hunger and malnutrition: 400 & 300
toddlers have lost their tenderness, their mothers lost
too much happiness, she couldn’t nurture her baby
on how to smile,

how to stay happy and grow beautiful.
Each family has lost too much, we are tired
we are still losing, we’ve lost people
we’ve lost dignity
our leaders are still drinking our blood,
we have lost our country.

© Àdèlé

Old Too Late

After six decades,

how did I know so little?

 

I catch myself in

cellphone photographs,

cheek jowls still firm,

 

teeth bared, grinning

into the camera,

as if my problems were

invisible, nonexistent.

 

Behind me, a backdrop

of rivers and trees,

 

an endless spider web

of mountain trails

my spine could still navigate.

 

Meanwhile, a sky dome

hovered above, witnessing

everything I failed to see,

yet remaining silent.

 

I wouldn’t have listened,

anyway.  Eyes and ears

tuned to unconsciousness,

 

I walk the path, turn

my head for a moment,

and pose, while motion continues:

 

relentless, erasing my body,

blurring its lines like water.

 

Hour #2: “The Sad Ladder”

The sad ladder I climb, quietly visible
on glinting walls, a vast canvased possibility,
the unstained imagination.

How alluring the mystery before words,
the images birthed in the fires of my soul.

How to paint them with the smudges
of calloused fingers. To bring color from inside,
to darken the boundaries set outside.

Perhaps it is better never to touch the rungs
but to stay in the eternal hint of wonder.

All my gifts will merely clutter this serene
clairvoyance that beckons the best of my soul.

Perhaps it is better to stand apart forever,
listen to the call, watch as my thoughts arise and fall,
contort, and reform.

There are no steps reaching high enough
to see over this seething storm,
unless I never bless its form
beyond the waves of my mind.

Handles retreating, disintegrating, impure.
Just the vast, blank world, a colorless universe
that contains all we could ever create.

How to tell it well.

 

I tell my story, from the genesis

Of Sarkin pawa like country song

On a patriots mouth. The radio

Flourishes in broken signals in a distance

That is yet to be of us,

My not yet [dead] father; perfume

In the world, whistles to the rhythm

Of a sad song.

I cannot let the evening take

My people away, I cannot sing

With  my peoples tongue,

I sway & sway, till the story goes

Far from my mouth

Even farther from being told.