Tea

Leaves that clear the mind
and leave the rest behind.
Tea for two. First you, then me.

Poem no 16: Philip Marlowe

To most folks, I’m quite some combination;
Mallory or Marlowe – take your pick.
I worked for the DA once but then he chose to let me go.
Now I’m a full-time private dick.
Men have a tendency to look at me up and down and sigh;
Women just stare – then walk away.
I’m sometimes available for poetic dialogues
But chess? No thanks. In my book that’s a solitary play.
I take my coffee with cream in the mornings.
It’s black as tar every other time.
If you’re partial to some whisky or some brandy
Something tells me we’ll get along just fine.
I often take the measure of loneliness
on empty city streets or long dark nights;
At other times I’m chasing hoodlums
Or muscling in on petty bar-room fights.
I’m not quite sure what age I am
Anything from 38 to 42.
But if you’re looking for a tough guy with a heart of gold
Then I might be the right one for you…

I Am

 

Poem 12

I Am

The universe hides under my skin
But the secret leaks out
It can’t be contained

Stars in my eyes
heart of gold
smile like a rainbow
Hair like cotton
Black as pitch
Sappodilla coloured skin
sweet inside and out
Ancestors, they fuel my path
The echo
Reminding me there’s still much to do

Royalty
Loyalty

Chained but never broken

I stand because of their strength and virtue

Their Spirituality too a seed that grows within me
With every thought and memory that becomes me
I am renewed with each tick that sounds, never the same, evolution in motion

Sometimes colliding with uncertainty
I pause
I fall I cry
I scream

And when there’s no will to rise
Stories unfold
In ways too surreal to be anything other than signs from corridors of unspoken worlds.

poem 17

Capturing this moment
Eye lids rise and fall
Each moment brings
Closer to sunrise
Each hour captures
a unique display
There is no sameness.

Hour Twleve: A Moment of Triumph

Author’s Note: Yet another time and the last time I will be ignoring a prompt in this 2017 Poetry Marathon. I will be concluding this marathon with a poem about a dream I had. Enjoy reading.

I once was in a sacred cave

that had nothing in it

but a cliff

and light blue glowing water below it.

 

My hands stretched out,

I was determined to dive in.

 

Diving in was like diving into

the endless morning sky above

but maybe even better.

Because I was landing into

something more solid,

something that could caress my skin.

 

Even though the water changed into lava

at a last second’s notice,

it didn’t matter

because at least I had the courage to dive

into something that was potentially great.

And it was at that thought alone that changed the lava

back to the beautiful serene water below.

 

So when I finally land into the water,

the walls echo hallelujah,

and I am filled with glee.

 

Even it’s just for a moment that I feel this,

at least I can say it’s a moment of triumph.

table for two -#18

table for two

i shall set a lovely table
a table just for two
to dine alone with wine and candles
revel deep in quiet conversation
then somewhere between the appetizer and dessert
i hope to gaze deep into your eyes
and you in mine
no phones or outside distraction
just an old fashioned date for two
i shall set a lovely table
a table just for me and you

Hour 18:Cloud Mountain

Cloud Mountain is—

shrouded in mystery,

where thought is soundlessly

sleeping.  

“Come down,out of the clouds,”

my father warned—

but I have always spent my free time,

on Cloud Mountain’s pleasant slopes;

where I can see more clearly,

my daydreams floating by.

CLIMBING (Hour 17, PM 2017)

    “Despite her [Marie Bracquemond] gifts, despite her striving, despite  her enthusiasm, the day came when with an obscure feeling of grief, she had to confess herself beaten.”

    — Jean-Paul Bouillon, “Marie Bracquemond: The Lady with the Parasol” (Women Impressionists, p. 242).

 

Never met a ladder I liked –

not the trap door pull-down device

to my childhood attic, nor the sketchy plywood versions

in construction sites where my brothers hid

and snickered as we circled below, our bikes

tied outside like royal steeds.

 

But that never stopped me

hauling myself up, hand over hand, until

I reached the upper limits, and could rest

hands on hips, as if lord

of all I surveyed below.

 

Blame it on grandma who climbed

a ladder at 82 to prune her trees,

and fell, breaking her back in two places

then recovering in one sweet week, as if

such a fall only required dusting oneself off,

then retying your apron strings.

 

Never met a ladder that made me sad

until I saw Woman on a Stepladder –

why did you stop drawing?

 

—-response to Marie Bracquemond Woman on a Stepladder, 1882 (private collection; printed in Women Impressionists p. 243)