Poem 8: Self-Portrait as a Flip Flop

Self-Portrait as a Flip Flop

 

I’m poised and ready for this confession:

I prefer to be barefoot. In summers, I’m often

searching the house for my sandals, like some do for keys –

I kick them off the second I come to a standstill. That’s why

I am a flip flop. I’m as close to being a barefoot gypsy

dancing circles on the grass around a campfire as can

legally be done in the 48 contiguous states.

I remember being turned away from a night club

in Western Australia because I lacked a back strap. This

from the folk who go barefoot in grocery stores and pharmacies

(where my cousins can be purchased in a variety of colors

and styles for a reasonable price). I don’t want to be separated

from the earth beyond one slim layer of suede or a cushiony

ethylene vinyl acetate yoga mat insole with arch support. Truth is,

I wanted to be dolphin, to feel water cascading off my slick back

the way air slides off us when breaking a wave into air.

I got the short end of that stick and was designated

to be footwear. No worries. I make the most of what comes my way.

Or I make the least, in my case. I want to be the least encumbered

shoe I can be. I provide the largest area of the feet I protect

to be caressed by sun and air, even puddles, if we’re lucky

and get rain. When I was in grade school, we kids learned

a bunch of new songs each year that we sang in a program

for our folks, all lined up in bleachers on the stage. One year

for the grand finale, we sang “Don’t Fence Me In,” and

boy howdy did all seventy of us kids belt that one out

from the soles of our feet straight out through our lungs.

That’s me. I can’t stand to be fenced in. I let my dogs

be as close to unshod as can be and still technically be “shoes.”

God Help Us–Hour 8

it was the future today

books were scary

gave too many

too many ideas

so firemen set fires

burned books to protect

those who needed to be protected

and called it all of society

but our modest band of heroes

were not buying that lie

they hid in cold snowy woods

they held in their minds

libraries

they had memorized books in their heads

and spoke the words out loud

to practice remembering

and the dying taught the young

a freezing boy was Great Expectations

and God help us all in the future

if he and Pip should

forget the words

Meet your Bosses First

Man decides to leave the world behind
Take on a profession he has never tried before
Whether or not he is running from something
Is never actually discussed
He becomes friends with his roommate
And they sign on to the same workplace
Without knowing their boss
They head out to work
Later, horrified, they realize their boss is crazy
Obsessed with getting revenge
On forces outside of the control of man
That obsession kills everyone
Except our hero and narrator
His friend, in a last act
Gave up his last personal belonging
To make sure that he would live

Once, my life went bad enough
That I thought of doing the same thing
But I can’t swim
And I fear bosses with missing limbs and obsessions with outside forces

The New Normal

Nothing is new or normal since COVID.

Now we walk closer, start to shed

the masks that hid our smiles or smirks.

Nothing is new or normal since 2020.

Everything has gone haywire –

people hating and hurting – hurling insults

into the atmosphere.  Now we walk closer

but we are farther apart than ever before.

And for what good reasons?

Inflation?  Poverty?  Climate changes?  Unemployment?

Nothing is new or normal since right now.

We whirl like the wind, flitter and flutter in anger

or bliss – the choice must be made.

It is harder now, harder than ever to feel secure.

To feel safe and sure of the new normal,

which changes like a kaleidoscope.

limbs – 8 of 24

to love a woman
is to acquire new limbs, new
organs, a constant state
of inventing myself until
my soulmate’s bring their
tragedy
and leave me many-headed;
quadruple-armed
call me, kali, stupid to have
all these heads with no
woman to gaze at with these eyes
with no thighs
to grip with these hands

a mistletoe hangs between her
legs, a curious invitation but
one kiss leaves me amputated
human-formed again,
two hands, one head,
it’s hers now, though

Time Will Tell

© A. Potter ~2021

The clock reads
Four, three, two

Capturing my attention
At a time, I was looking
For inspiration

The countdown
had begun
the Marathon
not quite yet run

Just over halfway
To triumph

How are we?

Already this far
Still longing

To go
that extra mile

Almost!

 

There was a party…adults drinking,

LOTS of flirting.  A little girl facedown

in the fountain. Across the street,

a grouchy old guy was about to fall

down the stairs and die; he’d seen

the little girl in the water and was

trying to warn someone. The woman

cellist…the girl’s mother and one

of the flirters…was favored by the

host, a Russian guy with an ex-stripper

wife. The wife was offering the cellist

a lap dance when the girl

in the water was discovered.

Although the stripper said she never

slept with her clients, she lied. It was

her daughter who had pushed

the girl into the fountain. That remained

secret. The best friend of the cellist

knew CPR and saved the little girl. She was

trying to have a baby and had asked for her

friend’s eggs a half-hour before the party.

Her friend thought it was disgusting

to ask for someone’s eggs. And why,

if you did ask, would you ask just before

a party over wine and cheese? There

was an ambulance and a helicopter

and a traffic jam. There were terrible

nerves and tears. Turned out the best

friend’s mother was a hoarder. And

the best friend was a bit of a thief: a shoe,

a necklace, other things that went missing

from the cellist’s house. The cellist changed

her mind after her little girl came home

from the hospital, and she found the

missing shoe. Puh! She would give

her best friend, the dummkopf, her eggs.

There were no more parties at the Russian

guy’s house. The stripper confessed.

ANY HORIZON YOU LIKE – Hour Eight (2021)

ANY HORIZON YOU LIKE

 

any sense of ancestral journey begins here

with lifting, with life, with a sense of purpose

adventure beckoning the bright dawn protagonist

 

there was a house once with balloons like this

up and out from the personal to sense around the world

and to some extent it’s now a mountainous hot air basket

peeking from a higher peak of ice-capped hydrogen

 

we within any story climbing to claim wonder

rising through cloudy tides to a new daybreak

oceans of birds and currents sing for electric storms

no climax without a crisis so surrender to tension

 

every story moves this way

upward til the breath ends